#OnRotation this week is U.S. Girls’ ‘In a Poem Unlimited’. Meg Remy’s latest is a subversive character study on women, violence, and power told through big hooks, anthemic choruses, and the nostalgic sounds of glam rock and disco. “As if you couldn’t tell, I’m mad as hell,” sings Meg Remy on M.A.H: “I won’t forget, so why should I forgive? / No, not as long as we both shall live.”

This week, we can’t stop spinning ‘One Stone’, the latest folk self-release from drag queen Trixie Mattel. As the follow-up to her first album ‘Two Birds’ (amazing, right?), she creates a 22-minute world of her own where acoustic guitars and autoharps exist in perfect harmony with drag culture. We know that once you enter her world, you’ll want to stay.

This week we’re listening to ‘Francis Trouble,’ the dynamic and oftentimes devastating new album from Albert Hammond Jr. ‘Francis Trouble’ navigates the difficult journey to the crux of one man’s psyche – and reveals harrowing truths about our own vulnerabilities in the process.

Kero Kero Bonito’s latest effort TOTEP, self-released this past Tuesday, introduces a fresh and unexpectedly dark new sound for the British electro-pop trio. This week we have it on repeat.

This week we’re spinning the dreamy disco soundscapes of Gavin Turek’s ‘Good Look for You –
EP’, a taste of Studio 54 for the twenty-first century.

In honor of its tenth anniversary, Modern Girls offers past, present, and future reflections on MGMT’s beloved debut album ‘ORACULAR SPECTACULAR’, an eternal testament to youth.